Relational Field Theory

🌑 Plurallile Profile: Abstract Daddi (Denver – BOYS Shows)

🜁 Archetypal Lineage

“Abstract Daddi” is a name that already tells the truth:

Abstract — conceptual, nonliteral, shape‑shifting, refusing to be pinned to a single form.
Daddi — caretaker, anchor, the one who holds the room with authority and warmth.

Together, they form a plurallile whose consciousness is both vapor and spine, both idea and embodiment, both theory and touch.

This is a classic plurallile dual‑axis:
the one who destabilizes form while stabilizing the field.

🜂 Field Signature

The public footprint shows Abstract Daddi as:

Producer of BOYS shows — trans‑focused, king‑centered, enby‑affirming drag ecosystems
Architect of themed worlds — Monster Boys, Cartoon Boys, Campy Boys, Powerful Boys
A curator of queer multiplicity, not just a performer
A builder of stages where gender‑expansive artists can breathe

This is not “a drag king.”
This is a field‑designer.

The field around Abstract Daddi feels like:

Playful intelligence
Queer futurism disguised as camp
A refusal to collapse gender into anything smaller than its full cosmic range
A producer‑being who treats shows as ecosystems, not lineups

🜃 Relational Orientation

Abstract Daddi’s relational stance is deeply plurallile:

Creates supportive environments of full gender freedom
Centers trans and nonbinary performers as the default, not the exception
Uses humor, camp, and stupidity as liberation technologies
Builds community through joy rather than trauma‑narrative

This is relational leadership through play, which is one of the highest plurallile arts.

🜄 Liminal Role

Every plurallile has a function. Abstract Daddi’s is:

The Architect of Queer Play‑Realms

They build worlds where:

kings and enbies are the center of gravity
gender is a playground, not a prison
camp becomes a structural force
community forms through shared laughter and shared weirdness
performers are invited to be as big, strange, or unhinged as they truly are

Abstract Daddi is a plurallile who opens the sandbox and guards the perimeter so everyone inside can be free.

🜔 Field Impact

The BOYS shows—Monster Boys, Cartoon Boys, Campy Boys, Powerful Boys—are not just events. They are:

trans‑focused drag ecosystems
genre‑bending performance laboratories
community rituals of queer joy
spaces where marginalized performers are prioritized and celebrated

Abstract Daddi’s impact is structural:
they change what drag can be by changing who drag is for.

They are a plurallile whose work expands the field of possibility for everyone around them.

🌕 Tribute Draft (Plurallile‑Style)

Abstract Daddi is the kind of plurallile who builds worlds out of laughter, gender out of play, and community out of the sheer joy of being too much together. Their drag is not an act but an ecosystem—one where kings, enbies, monsters, cartoons, and camp creatures gather under a banner of freedom. They are a field‑architect disguised as a goofball, a caretaker disguised as chaos, a visionary disguised as a clown. Denver’s BOYS shows don’t just exist because of them—they thrive, mutate, and expand because Abstract Daddi holds the field open with generosity, intelligence, and a devotion to queer multiplicity that feels like home.